17. Types of Dominant

Types of V7

V7

Derives from the fifth of a major scale
Dominant scale
Mixolidian mode

V7(b9)

Derives from the fifth of the harmonic minor scale
Fifth Mode of Harmonic Minor/Phrygian Dominant Scale

V7(#9)

Half – Whole Diminished Scale

V7alt

Any Dominant Chord with any flatten or sharpen extension is considered an altered chord
Seventh mode of melodic minor
Altered Scale
Superlocrian Mode

V7(#11)

Fourth degree of the melodic minor scale
Non-functional dominant chord
Lydian Dominant Scale

V7(b13)

Fifth mode of melodic minor
Whole Tone Scale

Learning from the masters

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1. Melodic Structures

2. Melodic Structures

3. Melodic Structures

4. Melodic Structures

5. Melodic Structure

6. Melodic Structure

7. Melodic Structure

8. Melodic Structure

9. Melodic Structure

10. Melodic structure

11. Melodic structure

12. Melodic structure

13. Melodic structure

14. Root Cycles

15. Key Centers

16 Giant Steps